All the content on this page is for you - scroll through and familiarize yourself with it.
Resources for you:
Places to buy practice wear for class & hip scarves
Belly dance movement vocabulary guide
Picking a belly dance name
Becoming a well rounded dancer - Belly Dance Checklist
Homework for week one:
Homework for week two:
- Practice the steps covered in class.
- Read "Different Styles of Oriental Dance" and watch some of the associated YouTube clips. Choose at least one dancer you liked and tell me his or her name next week and the style of dance he or she performed.
- Memorize the basic Masmoudi Saghir (Beledi) rhythm, so you can speak it and play it with your hip - Dum is down, Tek is up.
- Memorize your Arabic words of the week: Ahlan, 'Albi, Beledi, Tabla, Imshee
- Optional:
Read a little more about the Tabla on wikipedia and watch you tube clips of master Tabla players Seido Salifoski and Souhail Kaspar. Consider attending upcoming workshops and performances for belly dancers in the DC area featuring these two amazing Tabla players: Souhail & Rachid & Herdeljezi Festival with Seido & more.)
Homework for week three:
- Practice the steps covered in class.
- Read "Learning the Language of Belly Dance" by yours truly. Think about where you are personally in your learning. Find a favorite peice of poetry or prose, not necessarily dance related, and think about it as a dance.
- Revisit the basic Masmoudi Saghir (Beledi) rhythm, speak it and play it with your hip - Dum is down, Tek is up.
- Memorize your Arabic words of the week: Zagareet, Hafla, Wahid, Ethnin, Thalatha, Arba
Homework for week five
Rhythms to be introduced this session:
Masmoudi Saghir (Beledi), Saidi, Maqsum, Malfuf, Chiftitelli
The 'D' represents the heavy Dum sound made on the tabla (drum) with the hand more towards the center of the drum. The 'T' represents a strongly accented Tek sound made by striking the tabla near the edge. The small 't' and 'k' represent the quieter tek and ka sounds made by striking the tabla near the edge.
Masmoudi Saghir (Beledi) is a 4 beat rhythm. You will often hear it as part of the Egyptian Beledi Taksim musical construct. "Saghir" means "little" in Arabic. So this is the little masmoudi.
1-+-2-+-3-+-4-+-|
D-D-__T-D-__T-__| basic form
D-D-tkT-D-tkT-tk| filled
Saidi is a 4 beat rhythm. Common in the Said region of Egypt also known as Upper Egypt which is in the South. You will also hear the Saidi rhythm as the base rhythm for most Arabic pop songs.
1-+-2-+-3-+-4-+-|
D-T-__D-D-__T-__| basic form
D-T-tkD-D-tkT-tk| filled
Maqsum is a 4 beat rhythm. This is heavily used in classical Arabic music and classic Oriental Dance routines.
1-+-2-+-3-+-4-+-|
D-T-__T-D-__T-__| basic form
D-T-kkT-D-kkT-kk| filled
Malfuf is a 2 beat rhythm. It is often used in entrance and exit music for Egyptian Oriental dance routines.
1-+-2-+-|
D--T--T-| basic
D-kT-kT-| filled
Chiftitelli is an 8 beat rhythm. It is a Turkish or Greek rhythm used for slow portions of the dance. A very similar rhythm to this is the Arabic rhythm Wahda Kebir.
1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-|
D---__T---__T---D---D---T---____| basic
D-tkt-T-tkD-T-tkD---D---Tktkt---| filled
For further help with understanding rhythms online I recommend:
Jas's Middle Eastern Rhythms FAQ
Basic Rhythms for Cabaret Belly Dance Routine By Mary Ellen Donald
I also highly recommend you invest in a rhythm CD to practice with and to help you learn your rhtyms. The greats of Arabic dance are all rhythm driven and play all these intricate rhythms with their bodies. So they are vital to know, if not by name, then at least by hip. There are several good CDs available:
Arabic:
week 1 vocabulary:
Raqs Sharqi - Raqs means dance, Sharqi means Eastern or Oriental, together Oriental Dance
Habibi - Sweetheart
Iowa - yes
Yalla - go with God or let's go
Hallas - it is finished or stop
week 2 vocabulary:
Ahlan - Hello
'Albi (or qalbi) - my heart
Beledi - of the people, in dance it also refers to the dance of the common people, in American belly dance it also sometimes used to refer to the rhythm masmoudi saghir.
Tabla - a goblet shaped drum commonly used in middle eastern music, also called dumbek, darabukka , derbocka, and dumbelek. See a photo and more detailed description on the wikipedia and see it being played masterfully by Seido Salifoski and Souhail Kaspar. (They both come fairly regularly to this area to teach workshops which I can't recommend highly enough. See details on upcoming events that if you can attend you really must! They will be awesome: Souhail & Rachid & Herdeljezi Festival with Seido & more.)
Imshee - get going, get lost, move along, take a walk (In general a good way to tell a guy to bug off! I'll get you a more exact translation, but this gives you the idea.)
week 3 vocabulary:
zaghareet - a high pitched ulation used as both a cry for celebration and a battle cry (about 20 seconds into this clip with Souhair Zaki dancing at a wedding you'll hear one also at about 2 minutes in. I let you know if I find a better clip.)
hafla - party
wahid - one
ethnin - two
thalatha - three
arba - four
When you learn the dance of a culture it is good to understand the language of the songs you'll be dancing to. Most belly dancers aren't fluent, but many have a good working knowlege of what I'd call "belly dancer Arabic" that consists of many common words and phrases in song lyrics as well as rhythms, instruments and basic tourist talk. If you are interested in expanding your Arabic for dance learning, I recommend focusing on Egyptian Colloquial Arabic. Here are some resources for you:
Arabic Lyric Translations - the best Lyric translation site on the web and I have additional links to lyric translation sites here.
Egyptian Arabic Dialect Course - online lessons in Egyptian Arabic.
Pimsleur Egyptian Arabic CDs - I have the level one and I find them very helpful.
week 1 songs:
I will post lyrics here each week for the songs we work on in class.
For Intro to Belly Dance - This week's is Shatti Ya Duniya off of Pangia's Vol. 3 CD. Also found on Fairouz's CD "To Assy"
Shatti Ya Duniya
composed by the Rahbani Brothers & recorded by Fairuz
"This is a Lebanese debke and I've had it in my file for fifteen years," writes Linda. "I have no idea where I got it."
Shatta ya duniye ta zeed
Mawzimna yehla
Tedfug my wa zari jdeed
Mhaglinta ya 'ala
Rain in abundance
So that cour crop will get sweet
Let the water rise for more crops
And so that our field will grow,
Khilly 'a inek 'a dar
'a syaj illi killu zirar
Bukra shat wiye but ruh
Wa mniltaga bi anwar
Yahla 'id wa dhawy 'id wa nizra
Wa nlim 'anaquid
Keep watch over our house
And on the roses covered with buds
Tomorrow winter will be gone
And we'll meet in spring
Holidays come and go and we
Plant and pick grapes
Wa nturny wa la tibya tfie
Tisrikny wahdi 'a mtul
Jam'a tilek hurz i zhoor,
Yazmin, u mantur u fill
Zihr byed u galb i byed
Ya khawfi laqeek ab'id
Ruh unzur arth mwa'id
Wait for me and don't leave
Me alone looking for you
I picked you a bouquet of flowers
Jazmine, snapdragons and gardenias
With flowers in one hand
My heart in the other
I fear of finding you far away
<the last arabic paragraph is missing from the translation I found>
Wait for me in the windy plain
Where the grapes are nearly ripe
Hide me in the shade of your eyes
My love for you torments me
Tell me again and again
Where we will meat at our special place
For Technique and Musicality - Khalek Faker by Egyptian Artist Baha Sulton on his Kan Zaman album available from Maqam.com. Here is the site I got the translation from Arabic Song Lyrics and Transaltions.
Khalek Faker - Baha Sultan
May You Remember - Baha Sultan - written out so you can follow along
Khaleek faker ina maak ana doo' tee elmor
May you remember that with you I tasted bitterness
Khaleek faker ina alhozn sa3at witmor
May you remember that sadness is hours and they pass
Khaleek faker inta ikhtarti tib'u braahtek, aaaah!
May you remember you chose to be at your convenience, aaaah!
Khaleek faker ina maak ana doo' tee elmor
May you remember that with you I tasted bitterness
Khaleek faker ina alhozn sa3at witmor
May you remember that sadness is hours and they pass
Khaleek faker inta ikhtarti tib'u braahtek, aaaah!
May you remember you chose to be at your convenience, aaaah!
Adeebee n'seet wa reehatek, ba3dee kamaan wa farhatek
I forgot and put you at ease, I moved away as well and made you happy
Adeebee n'seet wa reehatek, ba3dee kamaan wa farhatek
I forgot and put you at ease, I moved away as well and made you happy
Ana 3ashi'tek insaani, Ana a-hob khalaaani
I adored you, my person, I the love made me
Ana 3ashi'tek insaani, Ana a-hob khalaaani
I adored you, my person, I the love made me
A'ool
I say
Khaleek faker ina maak ana doo' tee elmor
May you remember that with you I tasted bitterness
Khaleek faker ina alhozn sa3at witmor
May you remember that sadness is hours and they pass
Khaleek faker inta ikhtarti tib'u braahtek, aaaah!
May you remember you chose to be at your convenience, aaaah!
...musical interlude...
Aaah, min alhobi lamaa tarherool alaaeaam
Aaah, love, when the days change
Aaah, wal3ashra lamaa tduee3 bassor3a aawaam
Aaah, and when the intimacy is lost so fast, immediately
Aaah, min alhobi lamaa tarherool alaaeaam
Aaah, love, when the days change
Aaah, wal3ashra lamaa tdue3 bassor3a aawaam
Aaah, and when the intimacy is lost so fast, immediately
Aaah, min alleeaaly minek ya rhally
Ah the nights and from you my precious
Aah, min habaeebee wa min sohabee
Ah my beloved and my friends
Aaah, min alleeaaly minek ya rhally
Ah the nights and from you my precious
Aah, min habaeebee wa min sohabee
Ah my beloved and my friends
Line missing? la a quool a cana?
Ana 3ashi'tek insaani, Ana a-hob khalaaani
I adored you, my person, I the love made me
Ana 3ashi'tek insaani, Ana a-hob khalaaani
I adored you, my person, I the love made me
A'ool
I say
violin...
flute..
Aaaah!
Adeebee n'seet wa reehatek, ba3dee kamaan wa farhatek
I forgot and put you at ease, I moved away as well and made you happy
Adeebee n'seet wa reehatek, ba3dee kamaan wa farhatek
I forgot and put you at ease, I moved away as well and made you happy
Ana 3ashi'tek insaani, Ana a-hob khalaaani
I adored you, my person, I the love made me
Ana 3ashi'tek insaani, Ana a-hob khalaaani
I adored you, my person, I the love made me
A'ool
I say
Khaleek faker ina maak ana doo' tee elmor
May you remember that with you I tasted bitterness
Khaleek faker ina alhozn sa3at witmor
May you remember that sadness is hours and they pass
Khaleek faker inta ikhtarti tib'u braahtek, aaaah!
May you remember you chose to be at your convenience, aaaah!
Ya Helw Sabah - Heya di Yasmina
CD available from Dahlal and Farida. (I'll see if I can get the Arabic written out too.)
Oh sweet you’re the morning sweet
Oh sweet say good morning
Now our day is full and great
How long have I waited for you
My eye on the door and window (I watching the door all the time)
So, I can talk to you and plead with you
How long have I waited for you
My eye on the door and window (I watching the door all the time)
So, I can talk to you and plead with you
So, I can talk to you and plead with you
Oh sweet oh sweet oh sweet say good morning
Oh sweet you’re the morning sweet
Oh sweet say good morning
Now our day is full and great
Oh my eye, why the beautiful is occupied and perplexed?
Tell him it is still too soon for him to be perplexed, oh young one.
Oh my eye, why the beautiful is occupied and perplexed?
Tell him it is still too soon for him to be perplexed, oh young one.
Something something something
One look from him it makes the mind go crazy
Oh sweet you’re the morning sweet
Oh sweet say good morning
Now our day is full and great
It has been written that I have to look up and keep my heart occupied with love
It has been written that I have to look up and keep my heart occupied with love
This beautiful one is lightness and class
Oh this Jasmine is lightness and class
Oh sweet oh sweet oh sweet say good morning
Music CDs Used in Regularly in Class
The track listings of the mixed CD I use on Wednesday morning:
- song name - artist - album
- Hatha Ana - Adam - Now That's What I Call Arabia 9
- Dehkat Al Donya - Fadhl Shaker - Now Dance Arabia
- Ana Leyh - Nancy Ajram - Now That's What I Call Arabia 9 (they've mis-listed in on my cd
- case as LaTeloum, but it's Ana Leyh)
- Akhasmak Ah - Nancy Ajram - Now Dance Arabia
- Habousou - Hakim - El Yomen Dol
- Leih Bydary Keda - Ruby - Eb2a Abelni
- Turbo Tabla 4 - Turbo Tabla - The Belly and the Beat
- Habibi - Boomtang - Arabian Nights (Club & Chillout Classics) [UK] Disc 1
- Daret Al Ayam - RO-JE - Electric Oasis
- IndiArab - Turbo Tabla - The Belly and the Beat
- The Sensual Chifti - Eddie "the Sheik" Kochak - Aziza Raks
- Phaedra Pharonica - Eddie "the Sheik" Kochak - Aziza Raks
- Manni Elak - Soap Kills - Enta Fen
- Adam's Lullaby - Natacha Atlas - Something Dangerous
I got these various songs from several places, for the Now Arabia pop compilations you can go to http://www.maqam.com . They put new ones out every year. For Turbo Tabla you can visit his website: http://www.turbotabla.com/ . Electric Oasis and Aziza Raks you can get from Hollywood Music Center https://www.hollywoodmusiccenter.com/ . For Soap Kills visit http://lebaneseunderground.com/ . All the rest you can either buy the individual albums of the various artists, many of which are available from http://www.maqam.com or http://www.rashid.com/ or get individual songs from a download site like http://www.melody4arab.com. Search the title in google you should have lots of options pop up.