Fundamentals
- posture
- warm up / cool down
- movements
- isolations
- arms, feet, polish
- feeling, expressiveness
- safe strength and flexibility exercises
- learning how to study
- connecting to the belly dance community
- general history of belly dance
Technical Mastery
- diffficult movements
- transitions
- connected to music
- feeling
- choreographing
- improvising
Musical Understanding
- rhythms
- maqams
- moving to rhythms mechanically
- relating to rhythms and music culturally
- understanding maqams emotionally
- understanding lyrics
- basic Arabic for belly dancers
- name and identify common instruments used
Cultural Understanding of Music and Dances (to identify region, costume, music and commonly associated props at least, with * be able to perform)
- Egyptian Dances
- Classical Egyptian Oriental Entrance*
- Modern vs. Vintage Oriental styling
- Classic belly dance pieces*
- Modern Pop*
- Om Koulthoum*
- Baladi Taksim*
- Taksim & Mawaal*
- Tabla Solo*
- Finger Cymbals*
- Saidi (assayya/tahtib)*
- Hagallah*
- Shaabi*
- Zaar*
- Alexandrian (Meleya)*
- Zeffa*
- Bambooti
- Awalim
- Tanoura
- Other Arabic Dances
- Khaliji*
- Tunisia
- Morroccan
- Shikatt
- Guedra
- Tea Tray
-Levant
- Debke*
- Lebanese Assaya
- Lebanese Oriental
- Iraqi
- Andalusian
- Other Middle Eastern Dances
- Turkish
- Turkish Oriental
- Chifitelli
- floor work
- Turkish Rom*
- Turkish Folkloric/Line Dances
- Wirling Dirvish
- Greek Chifitelli
- Greek Oriental
- Vintage Oriental and the American Tradition
- Vintage Oriental Entrance*
- Belly Dance Classics (Turkish, Armenian, Greek, Arabic Popular Dance Songs)*
- Veil / Double Veil / Isis Wings *
- Sword / Balancing *
- Tabla Solo*
- American Tribal Style
- Tribal Fusion
- Awareness of Famous Dance Artists and Musicians
Performance Tools and Ethics
- Designing shows (with audience, occasion and venue in mind)
- Audience Participation / Management / Accepting tips
- professional presentation before, during and after performances
-(wearing a cover, staying for drinks, dating customers or staff, taking compliments/slights with grace, etc.)
- Working with Musicians
- Rates, Negotiating, dealing with clients
- Legal Issues - music use, venue zoning, artist's rights w/ photographs, video, choreography, contracts
- Costuming, Make-up, Hair and Appearance (also relating to style and venue)
- Dance community ethics
- Teaching
- Emotional Performance Preparation
- Pursuing your own path
- The Dark Side of a working dancer's life